Abbott,
Berenice
Adams,
Ansel
Adams,
Robert
Alvarez Bravo
Arbus,
Diane
Atget,
Eugene
Bellocq,
E.J.
Blossfeldt,
Karl
Brandt,
Bill
Brassai
Callahan,
Harry
Cameron, Julia M.
Coburn, Alvin L.
Cunningham,Imogen
DeCarava,
Roy
Doisneau,
Robert
Eggleston,
William
Evans,
Walker
Friedlander,
Lee
Gutmann,
John
Hine,
Lewis
Kertesz,
Andre
Klein,
William
Koudelka,
Josef
Lange,
Dorothea
Lartigue,Jacques H.
Laughlin,Clarence J.
Levitt,
Helen
Mapplethorpe,Robert
Modotti,
Tina
Muybridge,Eadweard
Nadar,
Felix
O'Sullivan,
Timothy
Outerbridge,
Paul
Porter,Eliot
Riis,
Jacob
Rodchenko,Alexander
Salgado,Sebastio
Sherman,
Cindy
Smith,
W. Eugene
Sommer,
Frederick
Steichen,
Edward
Stieglitz,
Alfred
Strand,
Paul
Talbot,William H. Fox
Uelsmann,
Jerry
Weegee
Weston,
Edward
White,
Minor
Winogrand, Garry |
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Frederick
Sommer
(1905-1999)
Documentary, Photojournalism
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Biography: The son of a city planner, Frederick Sommer
was trained as an architect in Brazil. He began to exhibit his
drawings in Brazil while still a teenager. His work was so accomplished
that he was accepted to the architecture department at Cornell
University, though he had not received an undergraduate degree
and did not yet speak English.
Sommer purchased his first camera around 1931 while he was in
Switzerland recovering from a bout of tuberculosis. Settling permanently
in Prescott, Arizona, in 1935, he began to photograph in earnest
after beginning a correspondence with Alfred Stieglitz and after
seeing Edward Weston's images. His earliest pictures were still
lifes of sometimes gruesome subjects, such as chicken carcasses;
he later made landscapes and photographed assemblages of unlikely
objects, some taken from the trash. Sommer continues to photograph,
paint, draw, and write musical compositions in Prescott. (Frederick
& Frances Sommer Foundation)
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Profotos > Education
> Reference Desk > Photography Masters > Frederick Sommer |
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