CONTACT US | FAQ'S | SEARCH 
Search Profotos Site

ADD URL | PHOTOGRAPHER LIST
 
You are Here Profotos > Education > Reference Desk > Photography Masters > Berenice Abbott

Click to Return to the Masters Index

• Abbott, Berenice
• Adams, Ansel
• Adams, Robert
• Alvarez Bravo
• Arbus, Diane
• Atget, Eugene
• Bellocq, E.J.
• Blossfeldt, Karl
• Brandt, Bill
• Brassai
• Callahan, Harry
• Cameron, Julia M.
• Coburn, Alvin L.
• Cunningham,Imogen
• DeCarava, Roy
• Doisneau, Robert
• Eggleston, William
• Evans, Walker
• Friedlander, Lee
• Gutmann, John
• Hine, Lewis
• Kertesz, Andre
• Klein, William
• Koudelka, Josef
• Lange, Dorothea
• Lartigue,Jacques H.
• Laughlin,Clarence J.
• Levitt, Helen
• Mapplethorpe,Robert
• Modotti, Tina
• Muybridge,Eadweard
• Nadar, Felix
• O'Sullivan, Timothy
• Outerbridge, Paul
• Porter,Eliot
• Riis, Jacob
• Rodchenko,Alexander
• Salgado,Sebastio
• Sherman, Cindy
• Smith, W. Eugene
• Sommer, Frederick
• Steichen, Edward
• Stieglitz, Alfred
• Strand, Paul
• Talbot,William H. Fox
• Uelsmann, Jerry
• Weegee
• Weston, Edward
• White, Minor
• Winogrand, Garry


Berenice Abbott (1898-1991)Berenice Abbott

(1898-1991)
Photojournalism, Portraiture

Biography: Berenice Abbott undertook an extraordinary range of work in her remarkably productive career. She was first and foremost a photographer, best known for her portraits and documentary photographs of American life and society. But one can also think of her as an inventor, an archivist and a historian, as well as a writer and teacher.

After experimenting with sculpture in her early twenties, Abbott left America for Paris where she began her photographic career in 1923 as the darkroom assistant and apprentice to Man Ray. Later she established her own portrait studio, where she photographed many of the celebrated literary and artistic figures of the day.

Abbott championed "straight" photography, that is, using no special effects. She argued that, by the very nature of its realistic image, photography was documentary and, as such, found its best expression in clearly focused, highly detailed images. Abbott maintained that this relatively new art form could never grow up if it imitated other media.

While in Paris Abbott became interested in the work of the French photographer Jean-Eugène-Auguste Atget. A pioneer of historic documentation, Atget devoted a large part of his life to recording the changing life and architecture of Paris through carefully composed photographs. After his death Abbott bought Atget's collection of ten thousand glass plates and prints, subsequently launching a campaign to preserve his work. Atget also provided Abbott with the inspiration for her next project: the documentation of New York in the 1930s.

When she returned to New York, Abbott was struck by an environment in transition, where she observed "the present jostling with the past." Her determination to document what she saw eventually resulted in the publication Changing New York (1939), funded by the Federal Art Project.

In the 1940s and 1950s Abbott turned her attention to science because, as she said, "we live in a scientific age and I thought that photography should do something about it." In 1958 she was commissioned by the Massachusetts Institute of Technology (MIT) to illustrate a series of physics textbooks. Her pictures of soap bubbles, wave patterns, bouncing balls, twirling wrenches and light beams illustrate basic mathematical principles. In many cases her images even allow abstract notions, such as averages, to be visualized. During the course of her work Abbott successfully developed new photographic techniques, as well as building and patenting several new cameras.

Abbott photographed the American actress and director Eva Le Gallienne in 1927. Le Gallienne not only played many of the classical roles but also made great efforts to increase the audience for serious drama. To this end she founded the Civic Repertory Theatre in 1926. Abbott never formally posed her sitters, preferring instead to convey the essence of her subjects through a telling gesture, a characteristic expression or a revealing detail of costume or accessory. Here, the dramatic slanted pose, the intense stare and the rich fabric of the dress all work to convey the theatrical personality of the actress.

More on Berenice Abbott:

Berenice Abbott Gallery
Extensive Gallery of Abbott's Work

Ishtar Films : Berenice Abbott - A View of the 20th Century
Film about Abbott and her work during the 20th Century

Berenice Abbott's Changing New York
Museum of the City of New York exhibit, March 14-June 21, 1998.

Changing New York project.
More about Changing New York 1935-1938.

NMWA: Berenice Abbott
Artist Profile






Questions, Comments? Look here: The help section
Broken link(s)? Email us at:
Testimonials. Visitor/Member Comments: News about us!

You are Here Profotos > Education > Reference Desk > Photography Masters > Berenice Abbott
footer
 GALLERIES
 Apply for a Gallery
 Member Galleries
 Featured Gallery
 Larry's Galleries
 Gallery Selection
 EDUCATION
 Profotos Magazine
 Photograhy Glossary
 The Reference Desk
 Search Engine
 Photo Masters
 MEMBERS
 Become a Member
 Member Selection
 Benefits Summary
 List of Members
 Refer Others
 SERVICES
 Photographer List
 Pro WebRing
 Monthly Newsletter
 Link to Us
 Custom Site Design
 BUY / SELL
 Profotos Store
 Advertise With Us
 Online Auctions
 The Bookstore
 Legal Information
 ABOUT US
 Who We Are
 Company History
 Contact Profotos
 The FAQ's
 Copyright Info.
footer

profotos.com: HELP | ADVERTISING INFO | CONTACT US | SITE MAP | FAQ's | ABOUT US
Copyright ©1999-2011 Profotos.com
(an independently owned company). All rights reserved.
Terms of Use and Privacy Policy and Safety Information are applicable to this site.

Our Address:
Profotos.com, 681 Inverness Drive, Fairborn, OH 45324 USA
Contact us via telephone: 937-660-0845