Abbott,
Berenice
Adams,
Ansel
Adams,
Robert
Alvarez Bravo
Arbus,
Diane
Atget,
Eugene
Bellocq,
E.J.
Blossfeldt,
Karl
Brandt,
Bill
Brassai
Callahan,
Harry
Cameron, Julia M.
Coburn, Alvin L.
Cunningham,Imogen
DeCarava,
Roy
Doisneau,
Robert
Eggleston,
William
Evans,
Walker
Friedlander,
Lee
Gutmann,
John
Hine,
Lewis
Kertesz,
Andre
Klein,
William
Koudelka,
Josef
Lange,
Dorothea
Lartigue,Jacques H.
Laughlin,Clarence J.
Levitt,
Helen
Mapplethorpe,Robert
Modotti,
Tina
Muybridge,Eadweard
Nadar,
Felix
O'Sullivan,
Timothy
Outerbridge,
Paul
Porter,Eliot
Riis,
Jacob
Rodchenko,Alexander
Salgado,Sebastio
Sherman,
Cindy
Smith,
W. Eugene
Sommer,
Frederick
Steichen,
Edward
Stieglitz,
Alfred
Strand,
Paul
Talbot,William H. Fox
Uelsmann,
Jerry
Weegee
Weston,
Edward
White,
Minor
Winogrand, Garry |
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Edward
Steichen
(1879-1983)
Fine Art, Fashion/Glamour
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Biography: Edward Steichen (1879-1973) is one of the most
important figures in the history of photography. During his active
career, which lasted over half the life span of photography, he
was renowned as an artist, fashion photographer, curator, writer,
and technical innovator. He was also a passionate advocate for
photography as an art form, and led, along with Alfred Stieglitz,
an aesthetic revolution that enabled photography to be considered
as a medium capable of interpretation and expression, and not
as a mere documentary record of visual facts.
Steichen took up photography in 1895, at the age of sixteen,
and was self-taught. During his early career, around the turn
of the century, he was associated with a style of photography
known as Pictorialism. The Pictorialists felt that the aesthetic
promise of photography lay in an emulation of painting. Steichenís
early work, then, adopted many Pictorialist techniques (a jiggled
tripod, a lens bathed in glycerin, or various darkroom tricks)
designed to produce ìpainterlyî soft-focus effects. During this
period, Steichen was also a painter, until he burned all his canvases
in 1922.
In 1905, with Stieglitz, he founded the famous Little Galleries
of the Photo Secession at 291 Fifth Avenue in New York (later
the 291 Gallery) to promote photography as an art form in particular,
and European Modernism in general. Steichen soon came under the
spell of the new art movements with their abstract geometries,
and he gradually abandoned his Pictorialism in favor of straight
photography with a strong sense of design and clean, uncluttered
images and compositions. Steichen went on to command the photographic
division of the U.S. Expeditionary Forces in World War I, and
to direct the Naval Photographic Institute in World War II. During
the 1920s and 1930s he worked as a commercial photographer for
Conde Nást publications including Vogue and Vanity Fair,
and from 1947-1962 was Director of the Department of Photography
at the Museum of Modern Art in New York. In 1955, he organized
the famous Family of Man exhibition which toured the world.
More on Edward Steichen:
J.
Paul Getty Museum - Edward Steichen
'Excellent site, Featuring Several of Steichen's Images, and a
Biography.
Aperture.org
- Steichen
Six of Steichen's Photographs.
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