David Redhawk of Japan is in the business of creating fine art images, many of which could double as advertising and commercial works.
This portfolio is filled with traditional imagery on the cutting edge of the medium. One of the images in David's portfolio took several weeks to produce! While many photographers are contented with capturing images in the blink of an eye, David's work takes on a much more personal style, as he works incredibly hard to produce what he is after.
Our staff was quite shocked to learn that the images in David's portfolio are not digitally manipulated. With the precise detail in his images, it is difficult to believe that this is not the case. David does a great job at capturing his work on film, the "old-fashioned" way.
Check out David's portfolio for yourself and see the work he produces - it is among the best!,David Redhawk of Japan is in the business of creating fine art images, many of which could double as advertising and commercial works.
This portfolio is filled with traditional imagery on the cutting edge of the medium. One of the images in David's portfolio took several weeks to produce! While many photographers are contented with capturing images in the blink of an eye, David's work takes on a much more personal style, as he works incredibly hard to produce what he is after.
Our staff was quite shocked to learn that the images in David's portfolio are not digitally manipulated. With the precise detail in his images, it is difficult to believe that this is not the case. David does a great job at capturing his work on film, the "old-fashioned" way.
Check out David's portfolio for yourself and see the work he produces - it is among the best!,David Redhawk of Japan is in the business of creating fine art images, many of which could double as advertising and commercial works.
This portfolio is filled with traditional imagery on the cutting edge of the medium. One of the images in David's portfolio took several weeks to produce! While many photographers are contented with capturing images in the blink of an eye, David's work takes on a much more personal style, as he works incredibly hard to produce what he is after.
Our staff was quite shocked to learn that the images in David's portfolio are not digitally manipulated. With the precise detail in his images, it is difficult to believe that this is not the case. David does a great job at capturing his work on film, the "old-fashioned" way.
Check out David's portfolio for yourself and see the work he produces - it is among the best!,Am I a Red Indian Warrior armed with a Camera?
Being born and raised in Montreal I was always close to nature,
the world’s oldest mountains, and artistic influences provided by
the French Canadian spirit of art! I am descended from families of
nobility and fame. My German ancestors arrived in North America
aboard the Mayflower, and over the centuries spread throughout the New World. They gave me traces of Pawnee and Cherokee blood.
My English blood is of the Kingdom family. Perhaps my sense of logic space comes from Isambard Kingdom-Brunel, 1806~1859.
Having learned the ways of the wilderness from age 13, I became David RedHawk at 27. I had become one of the top canoe-trip and survival guides in the land! A year later I bought my first SLR. And so, my early works were a means of capturing the beauty that few would ever witness.
In 1990 my life changed forever when I emigrated to Asia. I had a new continent to explore and my photographic skills developed. Self taught, I explored not only this vibrant and mysterious world, but higher levels of photography and art. Exhibitions and fame gave me the means to explore ‘large format’ photography. It was an expensive endeavor. By 1994 the world was coming into the info-age and then the internet gave us (photographers) a venue of freedom which promised worldwide recognition. Unfortunately...I am still caught up in that end of the business. My photography stalled to a halt.
At the turn of this century the photographer is hard challenged to master both the art of photography and the science of ‘information technology’. In a world going through digital frenzy I have chosen to remain analog. While the multitude of photographers are scrambling to purchase the finest digital machines, I have found simplicity, a sense of peace, in vintage cameras. I am paddling back upstream to a place where digital cameras dare not go! It is inspiration that most eludes us. That cannot be bought, or rendered by software.
Enough said...
“A picture is worth a thousand words!”